| Year | Title | Description | Publication | Editor Convenor |
|---|---|---|---|---|
| 2026 | The Networked Typeface | Essay on the paratexts of digital type design. | ECAL, A Typographic Atlas, Empire Books | Matthieu Cortat-Roller and Roland Früh |
| 2026 | Proportional Graphics | Script for a presentation to introduce a one-semester research topic on the relative size of graphic objects. Delivered during an unsuccessful interview for a position at LUCA, Gent. | ||
| 2026 | On Press | Fictionalised essay exploring tensions between the fluidity of ink and the computerisation of print production. | Cyan Years, Jean-Vincent Simonet, Loose Joints | Sarah Chaplin Espenon and Jean-Vincent Simonet |
| 2026 | Graphic Laboriousness and The Scribal Handoff | Unsuccessful application to The British Academy Neil Ker Memorial Fund for a project on “handoffs” in manuscript production. | ||
| 2026 | Folktales of Digital Typography | Extract from an unsuccessful proposal to the Designer-Writer Residency at the Centre for Text Margins, Aalto University School of Arts. | ||
| 2026 | Annotated portfolio | Paratext for a selection of recent projects, part of an application for Typographer in Residence at the Hoffmitz Milken Center for Typography. | ||
| 2025 | ⌘-New | Fragmentary essay on the artifice of an empty digital design document. | Revue Composite #6 | |
| 2025 | Economic Space Agency | Extract from an unsuccessful proposal for an Akademie Schloss Solitude Web Residency to produce graphical materials for the Economic Space Agency. | ||
| 2025 | Designed in the UK, printed in Asia, shipped to the USA and Europe for further international distribution | Fiction on globalisation of graphic design production, inspired by Andreas Malm’s How To Blow Up A Pipeline. | typohypergraphicobject | |
| 2025 | Interludes (as Gilbert Again) | Autofiction about Gilbert’s childhood fascination with graphic design’s authoritative allure. | Benjamin Tiven and William Wiebe | |
| 2025 | Netmorf Annual Report 2025 (as Gilbert Again) | Promotional text and paratext, fan fiction for Simon Denny’s Dotcom Séance. | ||
| 2025 | Words and Images Combined | Script for a presentation on the relative laboriousness of integrating text and image in page layout. | Typography Theory Practice conference, Leeds Beckett University. | Fraser Muggeridge |
| 2025 | Curatorial Goings-on at The Alphabet Museum (as Gilbert Again) | Derivative fiction based on The Flight of Pigeons From The Palace by Donald Barthelme. | Now-Time #1 | Kevin McCaughey |
| 2025 | Opacity Engraving | Essay on the production of Karl Nawrot’s NOVA typeface. | Opacity Engraving, Karl Nawrot, Phantom Avantgarde | |
| 2025 | A Meaningful Order | Extracts from monograph on design studio OK-RM. | Oliver Knight and Rory McGrath | |
| 2025 | A Meaningful Order (press release) | Press release for A Meaningful Order, an exhibition by OK-RM at Maximillian William, London, which I curated. | Oliver Knight and Rory McGrath | |
| 2025 | Norman Potter, Teaching | Proposal for a publication on designer, writer, and educator Norman Potter. From an unsuccessful application for a Stanley Picker Fellowship in Design. | ||
| 2025 | Protocol Fiction Aesthetics | Article on two fine-tuned image generation models for a magazine. | protocolized.summerofprotocols.com | Venkatesh Rao |
| 2025 | Note on Typography | On the disintegration of text and image. | Being a Photograph, Susanne Kriemann, Camera Austria | Susanne Kriemann and Christina Töpfer |
| 2025 | Typography: Out of Space | Fictionalised essay on “whitespace” and the graphic economy of the page. | typohypergraphicobject | |
| 2025 | Polycolophony | Paratext for typohypergraphicobject. NOVA typeface by Karl Nawrot. | typohypergraphicobject | |
| 2024 | Ecstatic Documents | An attempt at broadening the appeal of my PhD thesis on “isomorphism” in media. | Are.na Annual #6: Document | Meg Miller and Michelle Santiago Cortés |
| 2024 | They Built World: A Boyhood in Graphic Design (as Gilbert Again) | Autofiction on childhood fascination with graphic design’s authoritative allure. | Other Worlds | Silvio Lorusso |
| 2024 | Greetings From the Dark | On Alberto Viecelli’s postcard collection. | Urs Lehni | |
| 2024 | Hardware Abandons Graphic Design (as Gilbert Again) | Thinkboi post on the screenless Humane Ai Pin. | gilbert.mirror.xyz (RIP) | |
| 2024 | A Calculated Approach: Norm’s Unreasonable Reasonableness | On Swiss designers Norm and the limits of thinking “rationally” in typography. | Revue Faire #46 | François Havegeer and Sacha Léopold |
| 2024 | Sensei Will Never (as Gilbert Again) | Paratext for I Hated Graphic Design, a video series on contemporary graphic design’s predicament. | gilbert.mirror.xyz (RIP) | |
| 2024 | SQUIRT 4 LIQUIDITY (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2024 | TRIVIAL BRANDED ACCESSORIES (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2024 | It Is Easier To Imagine The End Of Text Than The End of The Roman Alphabet | Essay on path dependency in text and typography. | Type and Context conference, ISIA Urbino | Radim Peško and Jonathan Pierini |
| 2024 | VECTOR NECTAR (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2024 | Community Tokens (as Gilbert Again) | Guest curator post for an NFT digest. | contemporarynftdaily.com | Fraser Stanley |
| 2024 | Tomb Series UNITE OR PERISH (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series. | gilbert.mirror.xyz (RIP) | |
| 2023 | Tomb III — Cadmium (as Gilbert Again) | Essay on abstraction and artifice in David Rudnick’s Tomb Series. | Bricks from the Kiln #6 | Mathew Stuart and Andrew Walsh-Lister |
| 2023 | Example cover letter | Accompaniment to an unsuccessful application for a position at HfG Karlsruhe. | ||
| 2023 | Ciao, Wimo | Essay for Ciao type specimen. On the idea of squashing multiple historical figures into one composite/caricature, in order to save attention. | Ciao type specimen, Gruppo Due | Massimiliano Audretsch |
| 2023 | I Hated Graphic Design (as Gilbert Again) | Paratext for a video series on contemporary graphic design’s predicament. | dis.art | Lauren Boyle |
| 2023 | Graphic Design Retreat (as Gilbert Again) | Paratext for I Hated Graphic Design, a video series on contemporary graphic design’s predicament. | gilbert.mirror.xyz (RIP) | |
| 2023 | JENNIFER ANISTON NEURON (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2023 | Typography Without Lines | Anthology of content from a seminar on Mutypography. | Tim Bartel | |
| 2023 | 1 + 1 + 1 + 1 + 1 = 1, T + A + V = TAV, SPLI + TTER, 20 + 10 + 10 + 5 = 45, Give or Take | Extracts from a set of short fictions published alongside Karl Nawrot’s exhibition at P.A.G.E.S. | Collected Papers, Rollo Press | |
| 2023 | NETMORF DESIGN SPRINT (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2023 | A Conundrum: The Visual Communication of Neuroscience | An adaptation of the chapter on visual communication of neuroscience from my PhD thesis. | Revue Faire #42 | François Havegeer and Sacha Léopold |
| 2023 | New Canon: Derivatives (as Gilbert Again) | Essay on permissionless NFTs and derivative works. | jpg.space (RIP) | María Paula Fernández and Trent Elmore |
| 2023 | OUTERNET (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2023 | PEELING PINK ONIONS (as Gilbert Again) | Episodic fan fiction for Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2023 | Phantom Crush Group Chat (as Gilbert Again) | Fan fiction for Enver Hadzijaj’s PFP collection. | gilbert.mirror.xyz (RIP) | |
| 2023 | PNG in the EYE (as Gilbert Again) | Paratext for a fan fiction based on Simon Denny’s Dotcom Séance. | gilbert.mirror.xyz (RIP) | |
| 2023 | Rememing Lamps in Video Games (as Gilbert Again) | Paratext for an onchain exhibition at JPG. | jpg.space (RIP) | |
| 2023 | Seeds, not Brands (as Gilbert Again) | Essay on the clashing of permissionless culture and corporate identity and the advent of probabilistic aesthetics. | gilbert.mirror.xyz (RIP) | |
| 2023 | Tomb Series KAIROS (Recovery) (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series, with permissionless in-universe collectibles. Art by Marijpol. | gilbert.mirror.xyz (RIP) | |
| 2023 | Tomb Series: GHOST (RECOVERY) (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series, with permissionless in-universe collectibles. Art by Shields. | gilbert.mirror.xyz (RIP) | |
| 2023 | Various Books (as Gilbert Again) | Paratext for an onchain exhibition at JPG.space. | jpg.space (RIP) | |
| 2023 | What The Graphic Designers Wore (as Gilbert Again) | Script for a video. Historical fiction on graphic labour and automation. Art by AKUA. | YouTube @gilbertagain | |
| 2022 | A SMPL likeness (as Gilbert Again) | Reading the synthetic faces of William Wiebe’s SMPLverse NFTs through Nabokov’s Despair. | gilbert.mirror.xyz (RIP) | |
| 2022 | Cropped, caged, conjured (as Gilbert Again) | Essay on non-rectangular images. | gilbert.mirror.xyz (RIP) | |
| 2022 | Cryptomorph (as Gilbert Again) | Paratext for an episode of the mini-series Skeuomorph, Isomorph, Cryptomorph. | gilbert.mirror.xyz (RIP) | |
| 2022 | Death Clock Hyperstition WEN (as Gilbert Again) | Essay on Robbe-Grillet, hyperstition, inexorability, and the dis collective’s Death Clock NFT. | gilbert.mirror.xyz (RIP) | |
| 2022 | Isomorph (as Gilbert Again) | Paratext for an episode of the mini-series Skeuomorph, Isomorph, Cryptomorph. | gilbert.mirror.xyz (RIP) | |
| 2022 | Unit, Mona Alt, Marq, Lÿno | Paratext for a selection of typefaces by Karl Nawrot. | karlnawrot.com | |
| 2022 | The ‘Die-in’ and the Body as Communicative ‘Content’ (with Saskia van der Meer and Johanna Schäfer) | Editorial for documentation of a seminar on Michel Tauriac’s prototypical “media event” at Mazamet in 1973. | Materialien zu Ausstellungsdesign und Szenografie #7 | |
| 2022 | Skeuomorph (as Gilbert Again) | Paratext for an episode of the mini-series Skeuomorph, Isomorph, Cryptomorph. | gilbert.mirror.xyz (RIP) | |
| 2022 | Skeuomorph, Isomorph, Cryptomorph (as Gilbert Again) | Paratext for an online lecture mini-series. | gilbert.mirror.xyz (RIP) | |
| 2022 | Statement on the Deselection of the Rector of HfG Karlsruhe | Statement read aloud during a public hearing. | ||
| 2022 | Tomb Series AEON (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series. | gilbert.mirror.xyz (RIP) | |
| 2022 | Tomb Series ORION (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series, with permissionless in-universe collectibles. Image processing by Simon Knebl. | gilbert.mirror.xyz RIP | |
| 2022 | Tomb Series VANTA (Recovery) (as Gilbert Again) | Fan fiction for David Rudnick’s Tomb Series, with permissionless in-universe collectibles. Art by Tatjana Stürmer. | gilbert.mirror.xyz (RIP) | |
| 2022 | Tombs All The Way Down (as Gilbert Again) | Essay on David Rudnick’s Tomb Series. On palimpsestic states of digital and physical artefacts and the “Van Eyck Index.” | gilbert.mirror.xyz (RIP) | |
| 2022 | The Dead Body in Graphic Limbo | Essay on “graphic limbo” as an ambiguous space between the diagrammatic and the pictorial. | UMBAU #1 | Katharina Weinstock |
| 2021 | 1024 × 1001 in 1991 | Fictionalised essay in which pixels are a scarce resource. | Towards the Realm of Materiality: Designing Philip K. Dick’s Non-Existing Technologies | Andrea Facchetti |
| 2021 | Neurovague | Paratext for a neuroscience image-activism website. | neurovague.net | |
| 2021 | Norman Potter: Faith and Mania in Design Decision-making | PhD dissertation chapter. On Norman Potter as a design decision-maker, the “hole-in-one” solution, and the remaking of stick furniture. | RMIT Melbourne | |
| 2021 | Orchestrating Graphic Design: A Bibliography of Simon Starling | PhD dissertation chapter. A bibliography of artist Simon Starling and discussion of “isomorphic” graphic design. | RMIT Melbourne | |
| 2021 | Isomorphism in Typing and Typography | PhD dissertation chapter. | RMIT Melbourne | |
| 2021 | Transposing Isomorphism to Communication Design for Neuroscience | PhD dissertation chapter. On professional/amateur distinctions in visualising neuroscience. | RMIT Melbourne | |
| 2021 | Isomorphism in Communication Design (Conclusion) | PhD dissertation conclusion. The isomorphic design decision. | RMIT Melbourne | |
| 2021 | Isomorphism in Communication Design (Introduction) | PhD dissertation introduction. On isomorphism, its etymology and application to art and design practice. | RMIT Melbourne | |
| 2020 | Mountain Messner Mountain | Script for an online lecture, with live drawing elements, on graphic coincidence in photographs of mountaineer Reinhold Messner. | 2400 lecture series, HfG Karlsruhe | |
| 2020 | Graphic Proprioception | On inner/outer dualities of self and graphic coincidence in documentation of mountaineer Reinhold Messner and runner Rickey Gates. | Bricks from the Kiln #4 | Mathew Stuart and Andrew Walsh-Lister |
| 2020 | A Teacher’s Presence | Essay on Norman Potter as an educator. “To my mind, a teacher opts out of education if he fails to join with his students at crucial times in their academic life, whether or not he decides to support, or reasonably to oppose their conduct, by persuasion of its wrongfulness. I am not aware of a more basic principle on which to structure the pursuit of further education.” | deschooling.org (RIP) | Rory Sherlock |
| 2020 | “Human” “Brain” “Neuron” “Space” “Galaxy” | Fictionalised letter to a neuroscientist, on amateurism as antidote to persuasiveness. | Dear Friend #14 | Ott Kagovere and Sandra Nuut |
| 2020 | Norman Potter’s Teaching Spaces | Essay on spatial metaphor in Norman Potter’s teaching. | One and Many Mirrors: Perspectives on Graphic Design Education | Brad Haylock and Luke Wood |
| 2020 | An Original: The Most Beautiful Swiss Books 2004–2006 | Interview with Laurent Benner on his catalogues for The Most Beautiful Swiss Books. | Revue Faire #21 | François Havegeer and Sacha Léopold |
| 2020 | Gravity All Around (Rotated) | Paratext for a “corrected” bootleg of Tillie S. Pine and Joseph Levine’s 1963 children’s book. | Rollo Press | |
| 2020 | Gestures and Displays | Discourse on the premise that amateur archaeological photography contains elementary curatorial gestures. | Materialien zu Ausstellungsdesign und Szenografie #5 | |
| 2020 | Every Object Has Needs | Editorial for documentation of a seminar exploring the use of “superficially ethnic” coloured backgrounds in museum photography of ethnographic objects. | Materialien zu Ausstellungsdesign und Szenografie #6 | |
| 2020 | Rare Bird Economics | Paratext for a book about a bird, accompanying a seminar at HfG Karlsruhe. | ||
| 2020 | Rare Bird Economics Epitext | Epitext for a book about a bird, accompanying a seminar at HfG Karlsruhe. | ||
| 2020 | Body 1 (2 Eyes, 2 Legs, 2 Arms, 2 Hands) to Body 2 (2 Eyes, 4 Legs, No Arms, No Hands) | Fiction for Karl Nawrot’s exhibition Black Chamber Orchestra at Galerie Ravisius Textor. | ||
| 2019 | Mu-typography Reader | Contextual material for a seminar on non-linear typography. | ||
| 2019 | Technical Notes | On images that look like their own metadata. | Peak Picture Pixel Pile, Inga Books | Jacob Lindgren |
| 2019 | What El Lissitzky Wants | On unfaithful reproductions of the black, red, and white cover of Die Kunstismen, designed by El Lissitzky. | Revue Faire #16 | François Havegeer and Sacha Léopold |
| 2019 | Bruno Munari: Obvious Code | Annotations for Munari’s Negative-Positive (1950), introducing the Sandpit image processor developed with and by Simon Knebl. | The Serving Library Annual | Stuart Bertolotti-Bailey |
| 2019 | Technical notes | Paratext on a printed image of a White-throated Needletail. | Handout for a lecture at Design Museum Gent. | Sara De Bondt |
| 2018 | The Binding | Script for a presentation on the double page opening of a book as a display device. | Anatomy of the Book conference, BAU Barcelona | Brad Haylock and Fraser Muggeridge |
| 2018 | Unanswered Letters to Leon Festinger | Fictionalised letters to the psychologist Leon Festinger, a companion piece to A School for Design Fiction. | Extra-curricular, Onomatopee | Jacob Lindgren |
| 2018 | Mind Walks | Extracts from an extended fiction, accompanying Karl Nawrot’s monograph. | Rollo Press | |
| 2017 | Design Notes | An account of design decisions in Céline Condorelli’s monograph bau bau. | bau bau, Mousse | |
| 2017 | Eastside Projects Policy Manual (with Gavin Wade) | Seventh draft of the Eastside Projects User’s Manual in the form of an anthology of policies. | ||
| 2017 | Interview with Gavin Wade | On Herbert Bayer’s “square span” typography and historical remakes. | ||
| 2017 | Lines Converging | Short fictions published alongside Karl Nawrot’s exhibition Mind Walk, Extended Play at Galerie für Zeitgenössische Kunst. | Mind Walk, Extended Play | |
| 2017 | Matter is Plastic in the Face of Mind | Dialogue with Sofia Hultén on causality in objects. | Here’s the Answer, What’s the Question?, Sofia Hultén, Ikon Gallery | Jonathan Watkins |
| 2017 | The Consolation of Pataphysics | Interview with Andrew Hugill on William Corliss’s sourcebooks of scientific anomalies. | Stationary #2 | Malak Helmy and Christina Li |
| 2016 | In the Background | Dialogue with Céline Condorelli on display. | Bricks from the Kiln #2 | Mathew Stuart and Andrew Walsh-Lister |
| 2016 | Append | On sorting a collection of ordinary objects from an editorial perspective. | 27th Brno Biennial | Radim Peško, Tomáš Celizna, and Adam Macháček |
| 2016 | Curve Ball | Column on the lowercase e in Evert Bloemsma’s typeface Legato. | Grafik | Angharad Lewis |
| 2016 | Programmed Movement | Fiction for Karl Nawrot’s exhibition Mind Walk III at Bel Ordinaire. | Mind Walk III | |
| 2016 | Now In Color | Essay on the unexpected rediscovery of Norman Potter’s Penton Kitchen, Potter’s disdain for documenting his work, and the “commandment” to speak of objects only in their presence. | Bulletins of The Serving Library #11 | Stuart Bertolotti-Bailey |
| 2016 | Vectors for Looking (with Mathew Kneebone) | Essay elaborating on “Observations From a Fixed Position” from 2015. Art by Mathew Kneebone. | Bulletins of The Serving Library #12 | Stuart Bertolotti-Bailey |
| 2015 | Potter’s Lexikon | Essay on Norman Potter’s typewriter and its instrumental roles in his “In:Quest of Icarus” | A Circular #3 | Pedro Cid Proença |
| 2015 | A School for Design Fiction | Interview with Francisco Laranjo on A School for Design Fiction. | Modes of Criticism | Francisco Laranjo |
| 2015 | Reflection | Preface for the St Lucas Antwerp 2014 Masterboek. | St Lucas Masterboek 2015 | Hugo Puttaert |
| 2015 | Observations From a Fixed Position | Essay on registration in print, repeat photography, and ESA’s robotic probe Philae. | Bricks from the Kiln #1 | Mathew Stuart and Andrew Walsh-Lister |
| 2015 | Facing Pages (with Stuart Whipps) | Visual essay on the double page opening of a book as a display device. | Open Books, Hato Press | Charlotte Cheetham and Sophie Demay |
| 2015 | Rock, Paper, Chisel | Essay retelling two mythical feats of rock climbing from a palimpsestic perspective. | Bulletins of The Serving Library #9 | Stuart Bertolotti-Bailey |
| 2015 | Sinkhole Audio | Paratext for a website publishing digital audio works by artists. | sinkhole.audio RIP | |
| 2015 | On Xerox Book | Dialogue with Nav Haq on Seth Siegelaub’s Xerox Book. | Stationary #1 | Heman Chong and Christina Li |
| 2014 | Gilbert Adair Continued | Essay on Gilbert Adair, the derivative work, and digital voice synthesis. Art by Simon Manfield. | Bulletins of The Serving Library #7 | Stuart Bertolotti-Bailey |
| 2014 | Mental Notes | Short fictions published alongside Karl Nawrot’s exhibition Mind Walk II at Gallery Factory. | ||
| 2014 | A Dead Man Speaks | Essay on Gilbert Adair and digital voice synthesis. Art by Simon Manfield. | A School for Design Fiction, Spector Books | |
| 2014 | First Toy Cosmos | An adaptation of Olaf Stapledon’s Last and First Men with art by Peter Nencini. | A School for Design Fiction, Spector Books | |
| 2014 | Why Can’t It Be Made? | Anachronistic fiction in which architect Augustus Pugin argues with his book binder. Art by Simon Manfield. | A School for Design Fiction, Spector Books | |
| 2014 | Two Eyes, Ears, Nostrils, Brains | Historical fiction speculatively introducing neuroscientist Michael Gazzaniga’s work on split-brain patients to graphic design discourse. Art by Karl Nawrot. | A School for Design Fiction, Spector Books | |
| 2014 | What Is Part Of This Object? What Is This Object Part Of? / An Ideal Object | Two workshop assignments from A School for Design Fiction. | Taking A Line For A Walk, Spector Books | Nina Paim and Emilia Bergmark |
| 2013 | The Artist and The Engineer | Sixth draft of the Eastside Projects User’s Manual in the form of a children’s story. Art by Peter Nencini. | ||
| 2012 | Art Direct | Dialogue with Rick Poynor and Jonathan Watkins on Tony Arefin. | Arefin & Arefin: The Graphic Design of Tony Arefin, Ikon Gallery | Jonathan Watkins |
| 2012 | Dieter Roth’s Trophies, Rotated | Paratext for a “corrected” presentation of Dieter Roth’s two-handed drawings. | A Circular #2 | Pedro Cid Proença |
| 2012 | A Eulogy for the Cutaway | Visual essay on the cutaway as a graphic device. | Fillip #17 | Kristina Lee Podesva |
| 2011 | Eastside Projects User’s Manual (with Gavin Wade) | Fifth draft of the Eastside Projects User’s Manual, in the form of a compendium of verbs. | ||
| 2011 | Pugin’s Contrasts Rotated | Paratext for a “corrected” bootleg of Augustus Pugin’s 1836 architectural treatise. | Wayne Daly and Zak Kyes | |
| 2010 | A Finished Work is Exactly That. Requires Urgent Resuscitation. | Essay on Gilbert Adair’s Alice Through the Needle’s Eye and imitation as literary method. | An Endless Supply | Harry Blackett and Robin Kirkham |
| 2010 | Book Show (with Gavin Wade) | Feature on the exhibition Book Show at Eastside Projects. | Grafik #187 | Angharad Lewis |
| 2010 | Object Books, Books as Platforms, Binary Books, Blank Books, Multiple Books, Books as Symbols, Last Book | Essay on the work of Mexican artist and publisher Ulises Carrión. | BOOK, Eastside Projects | |
| 2010 | X-Ray Specs | Paratext for a selection of cells from X-Ray Specs. | Dot Dot Dot #20 | Stuart Bertolotti-Bailey |
| 2010 | Newer Alphabets | Essay for Lÿno type specimen. | GRAPHIC #16 | Karl Nawrot and Radim Peško |
| 2009 | Crop Circles | Illustrated essay on non-rectangular cropping. | Grafik | Angharad Lewis |
| 2009 | Craft Work | Interview with Jonathan Watkins on Tony Arefin. | Grafik | Angharad Lewis |
| 2009 | Design Notes (with Céline Condorelli) | An account of design decisions in the book Support Structures. | Support Structures, Sternberg Press |
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